How many times must the ancient painting and calligraphy experience to survive homefront

Precious ancient paintings have experienced many surgeries to survive in the Qing Dynasty Ding Guanpeng "Hongli wash like map", Beijing the Imperial Palace museum about calligraphy and painting, what is your first thought is, the indifferent landscape people, or the flower Yuchong true to life? This time, we do not talk about how to paint, but to tell you how to do the ancient painting and calligraphy". The painting is true, I believe we have such a mentality: get authentic, get a fake, chagrin pleased with oneself. But, you know, in fact, there is no so-called authentic scientific criterion. In fact, many ancient paintings we see now, even the so-called authentic, most are not the original author of the hands of it, even many of the ancient paintings with a great reputation, also left a generation repair division mark. Don’t say you don’t understand the ancient paintings of true and false, even experts can not promise that China has a collection of painting and calligraphy tradition, whether for decoration or to add value, we certainly do not want their get a forgery. But there are really false, now the technology is enough to make fake ones, so painting collectors often need to have a pair of piercing eye. But at present the market of painting and calligraphy works really difficult to distinguish between true and false, "There are plenty of people who spend big money to buy fake paintings" suckers. In the end how to make yourself not fooled? Shanghai museum research librarian Dan Guolin believes that the identification of painting is a fuzzy discipline, the core is the basic method of calligraphy identification are summarized, on the basis of the traditional general, is by virtue of personal knowledge and experience, and the auxiliary research, so far as Zhidai are fuzzy and uncertainty. Identification of ancient paintings are often the same picture Different people, different views., there will be some different opinions, so how to judge the accuracy of it? This is often judged by the experience and reputation of a connoisseur. The greater the fame, the more authoritative, the more people believe. In the identification of artifacts inside the project, such as ceramics, bronzes, etc., has been gradually using scientific methods to identify. Applications such as carbon fourteen and thermoluminescence in ceramics, but also can do sampling, identification of lossless cultural relics. But so far, there is no scientific and cultural identification of the identification method, especially non-destructive identification has not been very good development. So do not want to be fooled, or to polish their eyes. Although it is difficult to completely identify the true and false, but Dan Guolin said there is a way to painting X light, can increase the accuracy of identification. X light film to believe that we are very familiar with, but that is the use of hard X light, painting, you need to take a soft X film. Two similar functions, but the soft can put a very pale dark, a layer of things appear to ancient paintings as a soft X ray, you can see some signs of breakage and re framed traces, dark seals, which identify the damage and repair, and so on. The ancient painting seemingly complete, in fact, has repeatedly used material "surgery" China ancient paintings are mostly paper and silk texture, slim, coupled with the old, easily damaged, fade, if no generation of repair work of the Division I).相关的主题文章: